Arvo Part; Fur Anna Maria
LP issue of the popular and successful recording of Pärt’s piano works by Jeroen van Veen. The fact that Arvo Pärt as of 2013 has been the most performed contemporary composer in the world for three years in a row says enough about the impact his music makes: his music of contemplation, meditation and serenity appeals strongly to modern day audiences in a hectic, rat race world. Jeroen van Veen establishes his name as a foremost advocate of Minimalism: with little means he achieves maximum effect. 180 grams audiophile Vinyl, 33 ⅓ rpm.
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s‐derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside he quiet rapture of Für Alina we may find the student‐era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
Label: Brilliant Classics